VIeux
Farka Touré Iowa debut | Since his childhood, Vieux Farka Touré has been
deeply inspired by the music of his father, Ali Farka Touré. Growing up in
Mali’s capital, Bamako, as well as in his father’s hometown of Niafunké in
the Sahara desert
— both teeming with rich musical life
— Vieux proved himself a precocious talent as a
drummer and calabash player.
Ali, however, grew concerned about his son’s future as he observed his
budding musical gifts. Having long suffered in the music industry himself
before finally finding a home with World Circuit Records, Ali did not want
his son to have to have to face the same hardships. He forbid Vieux to play
music and decided that his son should become a soldier instead. Vieux, as
stubborn as his father’s moniker Farka (donkey) suggested, began instead to
play along with his father’s recordings in hiding, determined to pursue his
musical aspirations.
In 1999, Vieux
— now a young man
— decided to take his destiny into his own hands. He
enrolled in the National Arts Institute in Bamako, openly defying his
father’s wishes. It was there that Vieux truly discovered his musical
calling, picking up the guitar and beginning to compose his own music. By
the time he left the Arts Institute, he was already a locally celebrated
guitar virtuoso, able to almost perfectly emulate his father’s playing.
Word
began to spread throughout Bamako that Ali’s successor was emerging. It was
then that Toumani Diabaté
— the world’s premiere kora player
— first took notice of Vieux, and brought him into
his performing ensemble.
Recognizing Vieux’s abilities, Toumani urged Ali to
accept his son’s chosen path. Ali agreed, and under Toumani’s artistic
guidance, Vieux flourished. He performed in France and South Africa and even
began to accompany his father on guitar.
At the same time, his own stunning
compositions introduced new sounds and influences into the tradition of
desert blues from Northern Mali. In 2005, Vieux reconnected with his friend
Eric Herman, a North American musician and producer with whom Vieux had
played while he was a student at the Arts Institute. Both Vieux and Eric
realized that it was time that Vieux record his debut album. They quickly
got to work in the studio. Toumani agreed to contribute his awesome talent
on two of the tracks. Meanwhile Ali
— growing increasingly ill with
cancer
— offered his final recordings to Vieux's album, the ultimate
expression of approval of his son's path, passing him the torch with which
to light his way. ::
On a special double bill with Chiwoniso
:: Tue Sept
23 | 7 pm Greene Square Park
| Cedar Rapids
Free admission | Donations welcome
Click here for directions to Greene Square Park Click here for a color flyer in
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