CATIE CURTIS with guest artist MEG HUTCHINSON
CD release tour | It’s not all that hard to find a
musician willing and able to offer a guided tour of life’s dark clouds — but
making the acquaintance of someone able to hone in on the silver lining,
well, that’s an altogether rarer occurrence. It’s an experience to savor. Catie Curtis’ ability to lift up the listener radiates from virtually every
groove of her appropriately-titled ninth studio album, Sweet Life.
“I probably wouldn’t have written a record this positive if things were
going great in the world and we had peace and prosperity,” the
singer-songwriter explains. “There are lots of reasons to be unhappy or
anxious at this time, and I think the album is as much about resilience as
anything. In order to stay sane and keep moving forward you have to be able
to look at all the bad news around you and still see the beauty that is
there alongside the trouble.”
Sweet Life abounds with that positive energy — although Curtis deftly
stays clear of sentimentality. Anything but sticky sweet, this album is like
a mature embrace, from the warm and winsome coming-of-age allegory “Are You
Ready to Fly?” to the languid, sepia-toned “What You Can’t Believe,” on
which she disperses the doubts that gather, as the lyric puts it, “under
darkening clouds.” That song, like many of the disc’s dozen offerings,
reaches out to listeners with a welcoming blend of burnished keyboards and
slide guitar — a departure from Curtis’s most recent recordings, which were
more spare.
“We’re at this juncture where a lot of folks are working on their records in
home studios and making them sound craftily small, but I really wanted to go
in the other direction toward a big, warm, friendly sound,” Curtis says of
her first Nashville-bred recording. The songs are meant to be open and
confident, and I don’t know that they’d have carried as well if they were
done stripped down and bare bones.”
They’re anything but stripped down. Backed by an array of Music City vets,
including longtime Bonnie Raitt collaborator George Marinelli and Alison
Prestwood, who’s accompanied such artists as Shawn Colvin, Rodney Crowell
and Peter Frampton, Curtis stretches out as broadly as at anytime in her
12-year recording career. That’s evident in the playfulness of the
‘30s-styled barroom plaint “Lovely” as well as in the ‘70s soul groove of
“For Now,” which exudes Muscle Shoals sultriness.
As is her wont, Curtis also slips a surprising cover into the mix on
Sweet Life — this time an affirming rendition of “Soul Meets Body”
by kindred alternative rock spirits Death Cab for Cutie, a song she says she
was drawn to because “I was really taken by the way these young guys are
able to talk about wanting to live on a spiritual plane, which is really
different than a lot of the music of the ‘90s which was really critical and
jaded and ranting.”
There’s never been anything remotely jaded about Catie Curtis. From the
first time she picked up a guitar — an instrument given to her gratis by a
neighbor who asked only that she promise to learn to play it — the native of
rural southern Maine has used music as a sort of sonic superglue to bring
people together. She brought that to the fore on her charming 1995 debut
Truth From Lies, a disc on which she tangled with heartache and — on the
affably goofy “Slave to my Belly” — had a full-on dialogue with that body
part, and ramped it up further on her 1997 follow-up, which was named Album
of the Year at the Gay and Lesbian American Music Awards.
With her intoxicating brand of folk pop music, smart and enduring lyrics and
engaging personality, Curtis has created a dedicated following that has
grown steadily over the course of her 15-year career. With nine albums and
recognition that includes a 2006 International Songwriting Competition Grand
Prize, Curtis has proven that she’s the real deal: a musician with the kind
of raw talent and artistic maturity that makes her a force to be reckoned
with, albeit a sweet force.
::
With opener Meg Hutchinson
:: Sat Jan 24
| 8 pm CSPS | 1103 Third
St SE
| Cedar Rapids
$19 advance | $22 day of show
Tickets go on sale Nov 26 at CSPS Get tickets Go to
Catie's Web site or Meg's Click here for a downloadable flyer (PDF) Back to calendar
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